By Kelly A. Marsh
Combining feminist and rhetorical narratological techniques, Marsh’s examine deals clean readings of Persuasion, Jane Eyre, Bleak House, The girl in White, The condo of Mirth, The final September, The colour Purple, A Thousand Acres, Bastard Out of Carolina, Talking to the Dead, and The God of Small Things. via those readings, The Submerged Plot and the Mother’s Pleasure explores how the unnarratable should be communicated in fiction and gives an important contribution to our realizing of narrative progression.
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Extra resources for The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy (THEORY INTERPRETATION NARRATIV)
The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy (THEORY INTERPRETATION NARRATIV) by Kelly A. Marsh